“Like chess, or writing, it is a matter of choosing from among given possibilities, but in the case of photography the number of possibilities is not finite but infinite.” P. 6
“The American photographer Robert Adams has written about this process of prowling, and its purpose: "Over and over again the photographer walks a few steps and peers, rather comically, into the camera; to the exasperation of family and friends, he inventories what seems an endless number of angles; he explains, if asked, that he is trying for effective composition, but hesitates to define it. What he means is that a photographer wants form, an unarguably right relationship of shapes, a visual stability in which all components are equally important. The photographer hopes, in brief, to discover a tension so exact that it is peace.”” P. 7
“The new graphic economy that characterizes the best photography of the early years of the century could be described in terms of the conventional concept of Composition, but it is perhaps more useful to think of it as the result of a new system of indication, based on the expressive possibilities of the detail.” P. 8
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